Psycho (1960)
* * *
An aptly titled film about a veritable psychopath
that has a few twists and turns; it ends up somewhere near where you
expect, however still slightly askew. It has the style that epitomises
some of the older movies and possibly due to this does not stand up with
modern thrillers, there is not enough gore and you never truly fear for
the characters too deeply.
With such a famous scene (the shower murder) the
film becomes a victim of its own success, a portion of the film is spent
waiting for the scene to happen and it seems to make the beginning
inconsequential. It divides the film into two chunks, and actually
Hitchcock seems to pre-empt this by switching the character focus from
before to after the murder. A permanent fixture is Anthony Perkins who
impressively carries his role (or roles) and creates a complex
character.
Unfortunately some of this film is dated and the
fact it was made over 50 years ago has to be kept in mind; the shower
scene is actually very awkwardly filmed and obviously hiding the fact
that no violence is actually occurring. This cannot really be helped,
however from a modern perspective it detracts from the thriller elements
of the film. The ending also feels slightly rushed, after
the big mystery reveal the writer decides to just fill in all the gaps
with a speech by the doctor. His is poor writing as it should be able to
be weaved into the narrative rather than have to be fed to the
audience.
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