* * *
Considered one of the greatest films made by one of the greatest directors, however I didn't really understand why. Watching this film slowly lulled me to sleep but I was determined to stay awake hoping that there would be a point which would make me realise why people love it so much. The plot follows an elderly couple as they visit Tokyo and their grown-up children only to realise that their children have grown up and left them behind.

The film, I think, is meant to be shot carefully and with Ozu's particular style however I found the style stilted and awkward. He used angles that were interesting but seemingly pointless other than to add dimension to a fairly dimensionless piece. The dialogue was repetitive and I'm sure it had some hidden meanings but I did not notice them and therefore they were hidden too well and became redundant.
Overall I think that this film had a nice plot but it was a plot for a short film, not a film that stretched over 2 hours. The director's style didn't interest me and the film wasn't interesting looking enough for the hype that I had heard about how good the cinematography/camera work is. Possibly with explanations hidden depths can be revealed to improve the film but on first viewing it just seemed quite slow and pointless.
No comments:
Post a Comment